September Screening Log

Color coded via Dan Sallitt's method (Current or upcoming releases not included). Click on the titles to writing when applicable. (A smaller list that usual, mainly because New York Film Festival means I didn’t screen that many repertory titles as usual; and I’m a bit behind in writing about each as well for the same reason).

1.    The Rapture (Tolkin, USA, 1991)
2.    Hahaha (Hong, South Korea, 2010)
3.    Pulse (Kurosawa, Japan, 2001)
4.    I No Longer Hear the Guitar (Garrel, France, 1991)
5.    Written on the Wind (Sirk, USA, 1956)
6.    A Girl In Every Port (Hawks, USA, 1928)
7.    The River (Renoir, France/India, 1951)
8.    Twixt (Coppola, USA, 2011)
9.    Il Grido (Antonioni, Italy, 1957)
10. “The Chinese Fan” The Active Life of Dolly of the Dailies (Edwin, USA, 1914)

Also Notable (No order besides color categorization): Russian Ark (Sukurov, Russia, 2002), Never Fear (Lupino, USA, 1949), The Cradle Snatchers (Hawks, USA, 1927), The Spoilers (Enright, USA, 1942), Upstream (Ford, USA, 1928), Trent’s Last Case (Hawks, USA, 1928), The White Shadow (Cutts, United Kingdom, 1924), Autumn Sonata (Bergman, Sweden, 1978), Fig Leaves (Hawks, USA, 1926), Paid To Love (Hawks, USA, 1927).

Rewatches: Seven Samurai (Kurosawa, Japan, 1954), M (Lang, Germany, 1931), The Big Sleep (Hawks, USA, 1946).