Tuesday, July 22, 2014

The Art of Oneself — Michael Bay's Transformers: Age of Extinction

In many ways, the Transformers movies have always been somewhat plagued by a weird quasi-meshing of Spileberg's penchant boy-growing-up-among-the-awe narratives with Michael Bay's own crass maximalism (a meaningless word, but how else to describe what's on screen). Age of Extinction eliminates the main component of the former director's hand - Shia Labeouf's alienating and always too smug every-boy - in favor of Marky Mark Wahlberg, who mutates into whatever he needs to be from scene to scene (techie, overly concerned parent, football star, machine gun expert). It's a good metaphor for the film itself, which struck me as a work completely outside of its own interest as a film made by a studio for entertainment. Instead, it morphs into a parade of advertisement for each of its backers — Hasboro, Victoria's Secret, Chevrolet, and Budweiser (not to mention numerous Chinese sponsors I didn't recognize). The last of those companies comes up in a scene so crassly made that you could snip that 30 seconds from the film and it could have easily been a spot during the Super Bowl. A colleague of mine once posited that movie theaters are slowly morphing into the mall—a space for people to hang out more than experience film, and this film certainly made that experience seem like less a warning of doom than a proposition of truth. Goodbye Cinema, Hello Capitalism 2.0.

Thursday, July 03, 2014

Link Round-Up: Summer Blues

If you look to the left, you can see the cover of my book. And soon enough, you can buy it! Neato!

My friend Kevin B. Lee, who came on the podcast in January of last year, has released his most ambitious video essay yet, entitled Transformers: The Premake. I discussed this work at The Film Stage

I also reviewed two more Blu-Rays for The Film Stage and tried to put them in conversation with each other: Antonioni's L'Eclisse and Kiarostami's Like Someone In Love. Both are wonderful and the transfers look fantastic.

A surprisingly decent transfer would also be the new DCP of Eric Rohmer's A Summer's Tale, which is finally receiving a theatrical release in the United States. It's my favorite movie of the year, and I explain why over here. I also review a so-called "new release" movie, Clint Eastwood's beguiling and somewhat wondrous Jersey Boys.

On The Cinephiliacs, Adam Nayman joins the show to talk about his book about Showgirls entitled It Doesn't Suck, and we also discuss Mia Hansen-Love's debut feature, All Is Forgiven. He also tears Jason Reitman to shreds. 

Over on Letterboxd...
New films! Nadiv Lapid's Policeman and Lord and Miller's 22 Jump Street
War documentaries! William Wyler's Memphis Belle and John Huston's San Pietro
From Asia! King Hu's A Touch of Zen and Kenji Mizoguchi's Women of the Night
Big Auteurs! Alain Resnais's Melo and James Cameron's The Abyss