If you are in New York the next few weeks, the wonderful people down at BAMcinematek have put together a retrospective of the Swedish superstar Max von Sydow. So over at The Playlist, I have a patented listicle of my favorite performances he gave. Not as many obscure choices as I'd like (a lot simply remains unseen in my book), but the ones I do have are all excellent. Also, BAM is showing them all in 35mm, so unless you hate movies, you better go support their endeavor. And read my article here!
Also returning is another installment of The Disc-Less. With Hitchcock ruining the legacy of the cinematic giant, and The White Shadow streaming, I listed five great British films you won't find on DVD, including films by Terrence Davies, Mike Leigh, Ken Russell, and the Boulting Brothers. So check that piece out over here.
The apparently lovable Bradley Cooper and Jennifer Lawrence star in Silver Linings Playbook, a front runner for the "holy hell this movie is a train wreck of utter proportions" for 2012 award. I seem to be pretty alone in my absolute despise for this movie, but I have a lot of moral issues (as well as acting, script, and camera movement issues) that I think this film completely ignores. Scott Tobias tweeted something that everyone who either absolutely loves or pans this movie is taking it way too seriously, but that's perhaps one of my issues: it treats these huge psychological issues in American society as no less than quirks for a charming unpretentious film, reducing them to really offensive broad strokes. I'm not saying we can't have comedies with mental illness - One Flew Over the Cuckoo's Nest is quite funny - but for Christ's sake we can do better than this. Anyways, I wrote this one for InReviewOnline, the former house of Sam C. Mac (#SMacDown™) and the new home of (former Cinephiliacs guest) Kenji Fujishima.
Over at The Playlist, my second column of "The Disc-less" covers five disreputable American classics in search of DVD releases. Basing this around Heaven's Gate, I chose some awesome films like Ishtar, Greed, and The Last Movie. I ironically chose Elia Kazan's Wild River, which a) technically was available in that expensive Kazan box set Fox put out (bad research on my part), and b) was announced this morning for a Blu-Ray by Fox. But still, a worthy read.
I'm really excited to announce a new column I'll be writing at The Playlist, which will be called "The Disc-Less." Each column will highlight films you can't find on DVD in North America, with five films centered around a common theme. This week: scary movies! I write about films as different as The Keep and A Page of Madness. Check it out here.
Over at The Playlist, I review my favorite film of the New York Film Festival so far, Alain Resnais's You Ain't Seen Nothin' Yet! It's quite a delightful film, so I suggest checking it out, as well as reading my case for its extravagance. One correction—I suggest at one point that this was to be his final film, and found some reports back and forth discussing the matter, though now it seems that there will indeed be at least one more feature. I regret the error.
Some self-promotion of my own accomplishments I guess is in order, but really more of an explanation of my lack of New York Film Festival coverage so far (I've seen six films but simply haven't had time to write about them, and I've started a piece on Carax's Holy Motors about five times now). In continuing the program they launched in Locarno, Indiewire and Film Society of Lincoln Center teamed up to host their first ever NYFF "Critics Academy" to highlight new talent in film criticism, and yours truly was chosen among the bunch. I'm looking forward to working with the wonderful Eric Kohn and Eugene Hernandez, who have a lot of great panels and discussions planned for us, as well as writing stuff for Criticwire, Film Society's website, and The Playlist. I'll also be doing episodes of The Cinephiliacs every Friday with a different guest, so look forward to those as well. And I may post a few things here regarding other various films if I have the chance.
Hey a new freelance gig! You can now check me out over the wonderful film blog The Playlist. This week, I wrote about Criterion's new Eclipse set featuring three films by Norman Mailer. Spoiler: they are all insane and he almost dies. And I'm not making that second part of up. Check it out here.
