Showing posts with label film maudit. Show all posts
Showing posts with label film maudit. Show all posts

Monday, January 14, 2013

GradSkool: "Honest and Popular Don't Go Hand in Hand:" Gender Discourse in Elaine May's Ishtar

One thing I hope to do with this blog is address the alarming lack of content that has been a pervasive problem since I started graduate school last semester. To make up for it, I'm going to be giving excerpts from papers I wrote while in graduate school last semester. Please note that these are going to be sometimes dense, often boring, and most likely not very good, but I'm sure someone out there is going to enjoy them. Here is something I wrote on Elaine May's Ishtar, which is actually part of a larger project on the writer-director-star I'll be doing in 2014.

May made radical comedies that eluded any sort of expectations, which is even more true of her final film Ishtar, only remembered today solely for its over-sized budget, critical shellacking, and failure at the box office. However, Ishtar’s comedy now seems twenty years ahead of its time—it is the type of film that one would make now with Will Ferrell and John C. Riley. But Ishtar was doomed from the start; Grodin, who plays the willy CIA agent, notes, “The media jumped on the cost of Ishtar because it was a good story…the brunt of all this cost seemed on Elaine May, which was really strange because she’d be about the third person to look at…If the picture had cost half as much, I believe the reviews would have been twice as good."

Wednesday, October 10, 2012

NYFF: The Future of The Film Maudit

Over at the Film Society blog, I wrote about the new director's cut of Heaven's Gate, which will be out on Criterion Blu-Ray this November. I also used the opportunity to discuss how the new landscape of cinephilia has changed how we view the "film maudit," the cursed film so to say. Read it here.