Showing posts with label bobcat goldthwait. Show all posts
Showing posts with label bobcat goldthwait. Show all posts

Friday, May 11, 2012

God Bless America: "Sermon" on the Mount


God Bless America
Written and Directed By: Bobcat Goldthwait
Starring: Joel Murray and Tara Lynn Barr
Director of Photography: Bradley Stonesifer, Editors: David Hopper and Jason Stewart, Production Designer: Natalie Sanfilippo, Original Music: Matt Kollar

            The success of Bobcat Goldthwait has rested on one essential fixture in his comedy: as much as you might find him offensive and vile, he is a “truth teller,” as the kids like to say. His comedy and his films might be over-the-top fantasies that ignore real world consequences, but they are fantasies that we are all supposed to hold deep within our repressed hearts. Consider that during the first five minutes of God Bless America, his latest and most direct polemic rant against American culture, the protagonist has a dream where he murders a loud, constantly crying, and ugly baby. Goldthwait assumes that all of us secretly want to murder that baby as well, along with many other dumb, awful Americans that populate our culture.

            Goldthwait has some truth in God Bless America, but it’s been diluted and packaged in such an odd package that never seems to congeal. There’s promise to his work, the same way Shakes the Clown begins as a seriously dark look into comedy and alcoholism, but he gives up on making a bolder statement for making an easy and not particularly clever one. Add to that the violent fantasies God Bless America indulges, and Goldthwait’s nihilism isn’t just lacking in profundity, it’s making those he holds upright seem just as misguided.

Sunday, May 06, 2012

Screening Log: Good Scientist Edition


            Heavy screening log this week, folks. Some very interesting and great movies out there for New Yorkers to check out. Film Forum has Celine & Julie Go Boating (seeing this afternoon), IFC Center has The Connection (seeing Wednesday), and Film Society continues its retrospective of Turkish cinema. In news that is wholly awesome, Roger Ebert liked and linked my latest video essay to his Facebook and Twitter followers. Validation! I will also say on my continuing rants about digital projection, that I was not a big fan of the new 4K scan of Bonjour Tristesse at Film Forum. This is another Sony DCP, and like Dr. Strangelove, they tried to recreate film grain. It’s less distracting than it is in Kubrick’s film, but it’s another missed opportunity.

-Shakes the Clown, 1992. Directed by Bobcat Goldthwait. 35mm projection at 92nd Y Tribeca.
-Bonjour Tristesse, 1958. Directed by Otto Preminger. Digital 2K projection at Film Forum.
-Four Nights a Dreamer, 1971. Directed by Robert Bresson. 35mm projection at Brooklyn Academy of Music.
-Elegy, 1971. Directed by Yılmaz Güney. 35mm projection at Film Society of Lincoln Center.
-Yol, 1982. Directed by Serif Gören and Yılmaz Güney. 35mm projection at Film Society of Lincoln Center.
-Gojira, 1954. Directed by Ishirô Honda. 35mm projection at Japan Society.