Monday, May 20, 2013

Letterboxd Collection

I've become obsessed with Letterboxd with good reason. It's an addictive way for cinephiles to track their movie watching and compare/contrast their thoughts and ratings with other cinephile friends. If you're seeing a lack of content on this blog, that's because a good deal of it can be seen only on Letterboxd. So here's a collection of films I've written about exclusively at the site. This isn't everything that I see, but anything that I've done more than a haiku on. Will be updated regularly. You can follow all my activity here.

2010-2019Blue is the Warmest Color (Abdellatif Kechiche, France, 2013)
The World's End (Edgar Wright, UK, 2013)
The Grandmaster (Wong Kar-Wai, China/Hong Kong, 2013)
This is Martin Bonner (Chad Hartigan, USA, 2013)
Like Father, Like Son (Hirokazu Kore-eda, Japan, 2013)
Captain Phillips (Paul Greengrass, USA, 2013)
The Canyons (Paul Schrader, USA, 2013)
Jajouka, Something Comes To You (Eric and Marc Hurtado, Morocco/France, 2013)
The Heat (Paul Fieg, USA, 2013)
Touchy Feely (Lynn Shelton, USA, 2013)
Drug War (Johnnie To, Hong Kong/China, 2013)
The Lone Ranger (Gore Verbinski, USA, 2013)
Museum Hours (Jem Cohen, USA/Austria, 2013)
I'm So Excited (Pedro Almodovar, Spain, 2013)
World War Z (Marc Forster, USA, 2013)
The Bling Ring (Sofia Coppola, USA, 2013)
Frances Ha (Noah Baumbach, USA, 2013)
Star Trek Into Darkness (J.J. Abrams, USA, 2013)
Apres Mai (Olivier Assayas, France, 2013)
Pain and Gain (Michael Bay, USA, 2013)
Mud (Jeff Nichols, USA, 2013)
Old Dog (Pema Tsenden, Tibet, 2013) 
Trance (Danny Boyle, UK, 2013)
Modest Reception (Mani Haghighi, Iran, 2012)
Moonrise Kingdom (Wes Anderson, USA, 2012)
Girl Walk // All Day (Jacob Krupnick, USA, 2012)
Looper (Rian Johnson, USA, 2012)
Fake It So Real (Robert Greene, USA, 2012)
Viva Riva! (Djo Munga, Zaire, 2011)
Kati With An I (Robert Greene, USA, 2010)


Disorder (Huang Weikai, China, 2009)
Impolex (Alex Ross Perry, USA, 2009)
Miami Vice (Michael Mann, USA, 2006) 
Deja Vu (Tony Scott, USA, 2006)
Exiled (Johnnie To, Hong Kong, 2006)
Battle in Heaven (Carlos Reygadas, Mexico, 2006)
The New World (Terrence Malick, USA, 2005) 
Syriana (Stephen Ghagan, USA, 2005)
Birth (Jonathan Glazer, USA, 2004)
The Night of Truth (Fanta RĂ©gina Nacro, Burkina Faso, 2004)
Gerry (Gus Van Sant, USA, 2003)
The Son (Jean-Pierre and Luc Dardenne, Belgium, 2003)
Waiting for Happiness (
Abderrahmane Sissako, Mauritania, 2002)

Punch-Drunk Love (P.T. Anderson, USA, 2002)
Russian Ark (Alexander Sukurov, Russia, 2002)
Trouble Every Day (Claire Denis, France, 2001)
Adanggaman (Roger Gnoan M'Bala, Burkina Faso, 2000)

Jackie Brown (Quentin Tarantino, USA, 1997) 
Face/Off (John Woo, USA, 1997)
Crash (David Cronenberg, Canada, 1996)
Clando (Jean-Marie Teno, Cameroon, 1996)
Safe (Todd Haynes, USA, 1995)
Ashes of Time (Wong Kar-Wai, Hong Kong, 1994)
Cold Water (Olivier Assayas, France, 1994)
Drunken Master II (Lau Kar-Leung, Hong Kong, 1994)
A Perfect World (Clint Eastwood, USA, 1993)
The Story of Qui Jui (Zhang Yimou, China, 1992) 
Police Story 3: Supercop (Stephen Tong, Hong Kong, 1992)
JFK (Oliver Stone, USA, 1991) 
The Rapture (Michael Tolkin, USA, 1991)
Mama (Zhang Yuan, China, 1990)

Police Story 2 (Jackie Chan, Hong Kong, 1988)
Under the Sun of Satan (Maurice Pialat, France, 1987)
Ran (Akira Kurosawa, Japan, 1985)
Love Streams (John Cassavetes, USA, 1984)
The Hunger (Tony Scott, UK, 1983)
Star Trek II: The Wrath of Khan (Nicholas Meyer, USA, 1982)
Le Pont Du Nord (Jacques Rivette, France, 1982)
Baal (Alan Clarke, UK, 1982)
Gloria (John Cassavetes, USA, 1980)

Good Morning, Taipei (Lee Hsing, Taiwan, 1979)
Woyzeck (Werner Herzog, Germany, 1979)
The Fury (Brian De Palma, USA, 1978)
3 Women (Robert Altman, USA, 1977)
A Woman Under the Influence (John Cassavetes, USA, 1974)
The Enigma of Kaspar Hauser (Werner Herzog, Germany, 1974)
The Mother and the Whore (Jean Eustache, France, 1973)
Un Flic (Jean-Pierre Melville, France, 1972)
Little Murders (Alan Arkin, USA, 1971)
Gimme Shelter (Albert and David Maysles with Charlotte Zerwin, USA, 1970)

Bye Bye Barbara (Michel Deville, France, 1969)
Death By Hanging (Nagisa Oshima, Japan, 1968)
The Boston Strangler (Robert Fleischer, USA, 1968) 
The Hour of the Furnaces (Octavio Getino and Fernando E. Solanas, Argentina, 1968)
Coogan's Bluff (Don Siegel, USA, 1968)
If... (Lindsay Anderson, United Kingdom, 1968)
Faces (John Cassavetes, USA, 1968)
Marketa Lazarova (Frantisek Vlacil, Czechoslovakia, 1967)
2 or 3 Things I Know About Her (Jean-Luc Godard, France, 1967)
Seconds (John Frankenheimer, USA, 1966)
Yo Yo (Pierre Etaix, France, 1965) 
Faster Pussycat! Kill! Kill! (Russ Meyers, USA, 1965)
Lucky Jo (Michel Deville, France, 1964)
Gertrud (Carl Theodor Dreyer, Denmark, 1964)
A Child is Waiting (John Cassavetes, USA, 1963)
The Manchurian Candidate (John Frankenheimer, USA, 1962) 
Hatari! (Howard Hawks, USA, 1962)
Bachelor Flat (Frank Tashlain, USA, 1962)
An Autumn Afternoon (Yasujiro Ozu, Japan, 1962)
Paris Belongs To Us (Jacques Rivette, France, 1961) 
Most Dangerous Man Alive (Allan Dwan, USA, 1961)
A Woman is a Woman (Jean-Luc Godard, France, 1961)
Late Autumn (Yasujrio Ozu, Japan, 1960)

Rio Bravo (Howard Hawks, USA, 1959)
The Brothers Rico (Phil Karlson, USA, 1957) 
I Was a Teenage Werewolf! (Gene Fowler Jr., USA, 1957)
Tokyo Twilight (Yasujrio Ozu, Japan, 1957)
The Restless Breed (Alan Dwan, USA, 1957)
A King In New York (Charlie Chaplin, USA, 1957)
Il Grido (Michelangelo Antonioni, Italy, 1957)
The Killing (Stanley Kubrick, USA, 1956)
The Bottom of the Bottle (Henry Hathaway, USA, 1956)
It Conquered the World (Roger Corman, USA, 1956)
Slightly Scarlet (Allan Dwa, USA, 1956) 
Written on the Wind (Douglas Sirk, USA, 1956)
Escape to Burma (Allan Dwan, USA, 1956)
Le Amiche (Michelangelo Antonioni, Italy, 1955)
Sansho Dayu (Kenji Mizoguchi, Japan, 1955)
Tennessee's Partner (Allan Dwan, USA, 1955)
Night of the Hunter (Charles Laughton, USA, 1955)
Vera Cruz (Robert Aldrich, USA, 1954)
Silver Lode (Allan Dwan, USA, 1954)
Apache (Robert Aldrich, USA, 1954)
Magnificent Obsession (Douglas Sirk, USA, 1954)
On the Waterfront (Elia Kazan, USA, 1954)
Flavor of Green Tea Over Rice (Yasujiro Ozu, Japan, 1952)
Umberto D. (Vittorio De Sica, Italy, 1952)
Early Summer (Yasujiro Ozu, Japan, 1951)
The River (Jean Renoir, France/UK/India, 1951)
The Munekata Sisters (Yasujiro Ozu, Japan, 1950)
The Flame and the Arrow (Jacques Tourneur, USA, 1950)

Criss Cross (Robert Siodmack, USA, 1949)
Never Fear (Ida Lupino, USA, 1949)
The Red House (Delmer Daves, USA, 1947)
Record of a Tenement Gentleman (Yasujiro Ozu, Japan, 1947)
Driftwood (Allan Dwan, USA, 1947)
Rendezvous With Annie (Allan Dwan, USA, 1946)
Brewster's Millions (Allan Dwan, USA, 1945)
To Be Or Not To Be (Earnest Lubistch, USA, 1942) 
Native Land (Leo Hurwitz and Paul Strand, USA, 1942)
How Green Was My Valley (John Ford, USA, 1941)
Trail of the Vigilantes (Allan Dwan, USA, 1940)

Frontier Marshall (Allan Dwan, USA, 1938)
One Mile From Heaven (Allan Dwan, USA, 1937)
The Only Son (Yasujrio Ozu, Japan, 1936)
An Inn in Tokyo (Yasujiro Ozu, Japan, 1935)
Dragnet Girl (Yasujiro Ozu, Japan, 1933)
Women of Tokyo (Yasujiro Ozu, Japan, 1933)
M (Fritz Lang, Germany, 1931)
The Big Trail (Raoul Walsh, USA, 1930)
I Flunked, But... (Yasujiro Ozu, Japan, 1930)

Silent Era 
The Man With A Movie Camera (Dziga Vertov, USSR, 1929) 
Trent's Last Case (Howard Hawks, USA, 1929)
Fazil (Howard Hawks, USA, 1928)
The Unknown (Tod Browing, USA, 1927)
The Cradle Snatchers (Howard Hawks, USA, 1927)
Paid to Love (Howard Hawks, USA, 1927)
Fig Leaves (Howard Hawks, USA, 1926)
Stage Struck (Allan Dwan, USA, 1925)
Manhandled (Allan Dwan, USA, 1924)
Greed (Erich Von Stroheim, USA, 1924)
Zaza (Allan Dwan, USA, 1923)
Intolerance (D.W. Griffith, USA, 1916)

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