The Unspeakable Act played at BamCinemaFest last summer, which I declared "Rapturous" at the time. I meant to write something long about the film, but sadly my notebook was stolen and I lost everything I had planned. Still, I can vividly recall much of the film, and it remains an early candidate for my favorite film of 2013.
Since then, I've gotten to known its director, Dan Sallitt, through our various paths in the NY repertory scene, and I've thoroughly investigated his writing and his other films. The result is the latest episode of The Cinephiliacs, timed with the release of The Unspeakable Act at Anthology Film Archives in New York, along with a retro of Dan's other films. If you are in New York and don't go to it, I seriously question your dedication to our cause.
On the episode, Dan brought in Alan Clarke's Christine, which tops my list of February filmic discoveries. Make sure to listen to the conversation over here. And here's the list below:
1. Christine (Alan Clarke, UK, 1987) - Streaming Via YouTube
2. Life and Nothing More... (Abbas Kiarostami, Iran, 1992) — 35mm projection, Film Society of Lincoln Center
3. Two for the Road (Stanley Donen, USA, 1967) — 35,, projection, Anthology Film Archive
4. I Wanna Hold Your Hand (Robert Zemeckis, USA, 1977) — 35mm projection, Film Society of Lincoln Center
5. Where is the Friend's Home? (Abbas Kiarostami, Iran, 1987) — 35mm projection, Film Society of Lincoln Center
6. The Night of Counting the Years (Shadi Abdel Salam, Egypt, 1969) — DVD
7. Modern Romance (Albert Brooks, USA, 1981) — 35mm projection, Anthology Film Archives
8. The River's Edge (Alan Dwan, USA, 1957) — 35mm projection, Anthology Film Archives
9. Man's Castle (Frank Borzage, USA, 1933) — 35mm projection, Film Forum
10. All the Ships At Sea (Dan Sallitt, USA, 2004) — DVD
Also Notable: The Mayor of Hell Town (Edward Mayo, USA, 1933), , Used Cars (Robert Zemeckis, USA, 1980), Some Call It Loving (James B. Harris, USA, 1973), Through the Olive Trees (Abbas Kiarostami, USA, 1994, Moonstruck (Norman Jewison, USA, 1987)
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