The above pictured Victoria Guerra ("wtifu...") was more than enough to keep my attention during Lines of Wellington, the semi-spiritual sequel to Mysteries of Lisbon that would have been the next film by Raul Ruiz before his passing last year. Over at the Film Society blog, I write about Wellington and Ruiz's final film, Night Across the Street, as well as the filmmaker's legacy. Check that out here.
Over at Criticwire, I explore three films that use digital imagery in unique ways, including Passion, Holy Motors, and You Ain't Seen Nothin' Yet! Check that out here.
Both these posts are in conjunction with Indiewire's KidCriticz Academy (more on that here).