The Wire: Collateral
Damage
Season Two, Episode
Two
Written By: David
Simon, from a story by Simon and Ed Burns
Directed By: Ed
Bianchi
Read out “The Wire” Project here. Read about the previous episode here, or click here to read the coverage of the series so far. Assume spoilers for the episode.
One of the
major themes in the first season of The
Wire was that from a top down perspective, the status quo was always much
more important to continue than any social change. This often came with how
Lieutenant Daniels was told to handle his detail: “Dope on the table.” Minor
arrests at best. The detail was never formed to take down the Barksdale
operation, just show the appearance that something was being done to fight the
war on drugs without really any fight. Appearances are always better to keep.
In
“Collateral Damage,” the plot heavy second episode that sets into motion a
number of major through lines for the season, we really get that theme racing
back. It begins right from our opening scene, as Officer Russell works with a
group of detectives on the 13 Jane Does found in the cargo. When a forensics
officer discovers they suffocated to death, everyone assumes it was an
accidental, leaving Russell to herself. No murder, no problem.
But enter
the world’s greatest asshole and activist for social change, McNulty. McNulty,
after screwing over Rawls last week with the floater, jumps into the Jane Doe
case, thinking there may be a connection between his gunned down girl and the
13 cargo girls. After careful examination, he finds that the cargo hold was
indeed tampered with, meaning these girls were never meant to make it in
America except in a morgue. But the question is who’s jurisdiction does it fall
under? Rawls does everything he can to get the case out of his hands—he needs
to keep his above 50% solve rate, and 13 murders will drop it to 39%—but finds
himself in an impossible situation to get out, thanks again to the asshole
detective work of McNulty. Unfortunately, the case falls right into the hands
of Bunk and Freamon.
Frank
Sobotka, our working class protagonist, is not happy about the girls either,
and informs Spiros (Paul Ben-Victor), the second-in-command after “The Greek,”
head of smuggling, that he wants to know when human cargo will be moving in.
Spiros gives him reassurance the case was an accident, though their
relationship is obviously not moving in the right direction.
Frank’s
also being cornered by the other side, as he discovers none other than Carver
putting parking tickets on the spot they’ve been parking for years. He learns
this is the latest move by Major Stan Valcheck (Al Brown) over their fights of
a certain stain glass window spot in the church he wants. Frank doesn’t nudge,
telling Valcheck that if he wanted the spot, he could’ve come asked. Valcheck’s
response? Use his power to create another detail to search into Frank, which
includes a bunch of old timers, as well as Valcheck’s son-in-law, Prez. Whether
Prez knows that this case is dirty is unknown, but what he could find is not
good for the workingmen.
We also
finally return to the story of D’Angleo, hit worst by the grand jury in season
one for a count of 20 years. D’Angelo is trying to stay out of the business,
but Avon needs to make sure he stays in. 20 years is a long time to stay
inside, and can put a lot of interesting ideas into your head. Family is the
only ally you can truly trust, and so Avon insists to both his sister and
Stringer to bring in Donette, the mother of D’Angelo’s child.
“Collateral
Damage” ends with the answers to what happened to the girls, at least from the
side of the “villains.” The Greek (Bill Raymond) and Spiros track down a crew
member, who admits to letting the other crew pay for sex. When one got killed
and they threw the body overboard, the others saw, so the young crewman decided
they all needed to go. The Greek and Spiros respond in turn by slicing his
throat open and removing his face and fingerprints.
The
question of how Bunk and Freamon, as well as Russell and McNulty, can solve
this case seems to be stacking up against them. So much of this episode is
dedicated to the jumping of the case, from Baltimore PD to Coast Guard to
beyond. It’s another example of the collateral damage that it would be just
better for everyone involved if the girls died of natural causes. David Simon
always said The Wire was not really
about police, but the death of an American city. What did these girls expect to find in
America? Certainly not the fate they received, or even the worse one in their
absence, where only a few good souls with fight to find their names.
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